Welcome to Insight, a series of posts about the entire process of recording, mastering, distribution and playback of live and recorded music in the highest possible sound quality. MQA represents a Paradigm Shift and the scope is wide, so we aim to cover these topics at a few levels – introductory overviews, perspectives and occasionally a deep dive into […]
High resolution is an experience, not a specification … In common audio parlance, ‘High Resolution’ has incorrectly become associated with recordings that use higher-than-CD data rates (i.e. PCM sampled higher than 44.1 kHz or using more than 16 bits). These simplistic definitions are stuck in the digital domain and tell us nothing about resolution in sound […]
Once the recording has been ‘de-blurred’, MQA uses a process we call ‘Music Origami’ that focusses on maintaining the information in the orange triangle (plus a substantial safety margin), thereby making this large, high-resolution file both manageable, and compatible with any service or playback device. This section reviews the ‘origami’ used to make a single-speed […]
MQA guarantees delivery of the Studio sound. This explains why Provenance and Resolution are quite different things.